A24’s Elizabeth Holmes documentary edged Clayface on Sunday estimates, taking a narrow box office lead in its third weekend of release.
You Can See Everything moved into first place at the domestic box office on Sunday estimates, edging Clayface during an unusually quiet Halloween weekend. The A24 documentary earned an estimated $10.6 million in its third weekend, narrowly ahead of the DC film’s projected $10.4 million.
A rare third-weekend rise to No. 1
The Elizabeth Holmes documentary expanded to more than 3,200 North American locations and lifted its domestic total to roughly $63.9 million. If the ranking holds when final figures are reported Monday, it will mark the film’s first weekend at No. 1 and a notably late climb for a documentary with a runtime close to three hours.
The result extends an already strong run for the $7 million production. Its box office growth has been driven without an international release so far, giving the film an unusual profile for nonfiction theatrical programming. Its narrow lead also follows a second weekend in which the film increased its audience rather than following the steep drop common to wide releases.
Clayface stays close in a subdued market
Clayface remained within striking distance, bringing its North American total to about $44.1 million in its second weekend and its worldwide total to approximately $83 million. The R-rated body-horror origin story reportedly cost $44 million to produce, a restrained budget compared with many modern superhero releases.
The close race unfolded as studios largely avoided launching major new films over a Saturday Halloween. Industry estimates placed overall domestic revenue among the year’s weakest weekends, with moviegoing competing against parties and trick-or-treating. Even so, the weekend total improved on the comparable Halloween frame from 2025.
Elsewhere, the stop-motion fantasy Wildwood held third place with an estimated $7.5 million, while Wicker followed with about $4.1 million. The headline, however, belonged to a documentary that continued gaining ground after opening: You Can See Everything turned a quiet market into a potentially historic first-place finish. Final studio totals will determine whether its slim advantage survives the weekend reconciliation.
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Elena Brooks
TV & Movies EditorElena Brooks covers television, movies, streaming releases, casting news, trailers and the biggest stories from screens large and small.
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