Interscope sued Summer Walker after she invoked California’s seven-year rule, claiming two albums and an EP remain due under her deal.
Interscope Records has sued Summer Walker after the R&B singer moved to end her recording agreement under California’s seven-year rule. The Universal Music Group label claims that Walker still owes two studio albums and an EP and is seeking more than $50 million in damages tied to those undelivered recordings.
The filing turns a contract dispute into a high-stakes court fight over how long a recording deal can bind an artist and what a label may recover when promised projects remain unfinished.
Walker invoked California’s seven-year statute
Walker signed a joint deal with Interscope and LVRN in 2017. She sent Interscope a termination notice in August, stating that she would stop providing services under the agreement effective August 27 because more than seven years had passed.
California law generally allows people to leave personal-services contracts after seven years. For recording agreements, however, a 1987 amendment permits labels to pursue damages when artists exit before completing their album commitments. Billboard reported that labels have 45 days after a termination notice to file such a claim and that Interscope submitted its complaint near the end of that period.
The parties disagree over the remaining music
Interscope’s complaint says Walker’s original agreement and later amendments required five studio albums. The label counts 2019’s Over It, 2021’s Still Over It and 2025’s Finally Over It toward that commitment, leaving two albums outstanding. Rolling Stone reported that the label also says an EP remains due.
Earlier projects Last Day of Summer and CLEAR were treated as pre-album releases rather than part of the five-album total, according to the complaint described by Rolling Stone.
An Interscope spokesperson told Billboard that the company still hopes ongoing discussions produce an amicable resolution, but said the statutory deadline required a filing to preserve the contract’s terms. The complaint represents the label’s allegations; it is not a court ruling that Walker owes the claimed amount.
The dispute now puts both the value of Walker’s remaining recording obligations and the reach of California’s artist-protection law before the legal system. Any settlement, response from Walker or judicial decision could shape how the case proceeds.
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Marcus Reed
Music EditorMarcus Reed covers artists, new releases, performances, tours, awards and the conversations shaping music and pop culture.
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