Olivia Rodrigo surprised Sheryl Crow with a performance of ‘Strong Enough’ as BMI honored the songwriter at an intimate Nashville dinner.
Olivia Rodrigo made a surprise appearance in Nashville on Monday night to honor Sheryl Crow with a performance of “Strong Enough.” The intimate tribute came during a BMI dinner celebrating Crow as the 2026 recipient of the organization’s Troubadour Award.
Rodrigo closed a program filled with interpretations of Crow’s catalog. Jason Isbell performed “Run, Baby, Run,” Melissa Etheridge took on “If It Makes You Happy,” Eric Church sang “Leaving Las Vegas,” Lauren Daigle delivered “Every Day Is a Winding Road,” and Chris Stapleton performed “I Shall Believe.”
A familiar connection gets a new song
The pairing was not a first for Rodrigo and Crow. They previously performed together at Nashville’s Bluebird Cafe in 2023, reunited during Crow’s Rock & Roll Hall of Fame induction later that year, and shared the stage again during Rodrigo’s 2024 arena stop in Nashville.
This time, Rodrigo selected the ballad “Strong Enough” from Crow’s 1993 debut album, Tuesday Night Music Club. She introduced it as her favorite Crow song and sang toward the honoree’s table, giving the evening a quieter finale after a sequence of performances by some of Nashville’s most recognizable voices.
The choice also highlighted the songwriting focus of the Troubadour Award. Rather than presenting a medley of hits, the guests approached individual songs from different corners of Crow’s career. That structure made Rodrigo’s appearance feel less like a pop-star cameo and more like one songwriter publicly acknowledging another’s influence.
Crow’s catalog remains in motion
Crow’s recognition arrives during an active stretch in her career. She is preparing to release the album Pick You Up on October 9, while the BMI honor places her alongside past Troubadour recipients including John Fogerty, Lucinda Williams and John Prine.
For Rodrigo, the performance added another chapter to a musical relationship that has developed in public over several years. For Crow, the evening showed how songs first released more than three decades ago can still be reinterpreted by a younger generation without losing their emotional center.
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Marcus Reed
Music EditorMarcus Reed covers artists, new releases, performances, tours, awards and the conversations shaping music and pop culture.
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